An editorial piece built to open doors in China. Ran on Foxtel, Sky Business and the People's Daily portal.

An editorial piece built to open doors in China for the Australian wine industry. Ran on Foxtel, Sky Business and the People's Daily portal.

A hospitality story made for an audience that had never considered Australia. Ran on Foxtel, Sky Business and the People's Daily portal.

A skincare brand in 56 countries needed every therapist trained to the same standard. This is the system that did it.

On the surface it's eyelash extensions. Underneath it's how to run a business — pricing, marketing, customers, the lot. For school leavers starting out.

The layer above the training. Teaching a global skincare company's own educators to deliver the same system, the same way, in every market.

Photography in Melbourne. A winery on the peninsula. A commercial shark boat off Phillip Island. Australia introduced to Chinese audiences by living in it.

A musician goes home to Gansu and brings Australians with her. What they made together is the film.

A short film about violence against women, and how rarely the danger comes from a stranger.

He used to arrest them. Now he defends them. A pilot following a former cop turned lawyer, working the streets for people nobody else represents.

Say “farmer” and nobody pictures a woman. That was the reason for making it. Women on the Land is a pilot for a television series about the women running Australian farms.

One of us is a killer. One of us is a cop. Everyone else came for love. An online series.

A young girl chases a secret through a volume built to bend reality — proof of what the space can conjure when the story turns surreal.

Behind the scenes and finished footage from A Theory of Incompleteness, shot inside a virtual production volume we built ourselves.

A virtual facility built from nothing but floor plans — modelled entirely in Blender, environment and all, before a single wall existed.